The above photo is of the earliest known visual depiction of Jesus of Nazareth. Interestingly, it doesn’t come from an ancient church or even from Christian hands. It’s a piece of ancient graffiti scratched into a wall in Rome, dated to just before 200 AD. In it, a man looks upon a naked man with a donkey’s head crucified on a cross. The Greek reads, “Alexamenos worships god.”
When studying history, what is sometimes called “enemy attestation” is considered the strongest sort of evidence. The idea is that all historical writings have the bias of the authors, so a historical record from a certain people about themselves will likely have a positive spin. On the other hand, historical writings about those same people by those who opposed them will likely have a negative spin. Thus, enemy attestation is valuable when it affirms the same information as the other side. Such harmony is of high value to the historian.
The ancient graffiti above appears to have been created by a Roman mocking Christian beliefs. The graffiti artist degrades the beliefs of the Christian Alexamenos for worshipping a crucified man, going so far as to portray Alexamenos’ God with the head of an ass.
This piece of enemy attestation from just before 200 AD not only confirms the crucifixion of Jesus, but also confirms that ancient Christians worshipped Jesus as a God. (This is confirmed in the earliest Roman writings about Christians as well.)
This is significant to Christians today because many modern skeptics often explain away Christian beliefs about Jesus as legends that developed long after Christ walked the earth. A popular claim (which is not argued in the academic world but lives on thanks to the internet and the book The Da Vinci Code) is that Jesus was deified at the Council of Nicea over 300 years after Jesus’ ministry or, at least, some time after Emperor Constantine’s conversion to Christianity in 312 AD and – as the dead theory goes – mixed pagan beliefs with Christian beliefs. This simple piece of scratched slander on a Roman wall alone disproves that theory.
Another point of interest about this piece of crude ancient art is that it gives us a glimpse into what the ancient Romans thought of this strange new cult that worshipped a crucified God-man.
In this series, we’ll look more at what the Romans thought of Christians and see how it helps us to understand our faith today.
NEXT: The folly of the Cross continued…
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